![]() "I started to have all these thoughts and what possibilities that this could do for me. "I was lookin' at Google Maps, realized there's Google Earth as well, a world where you can zoom into," says Saroo. Actress Nicole Kidman (right) portrays Sue in the movie.ĭid Saroo use Google Earth to track down his family? Sue Brierley (left) and her husband John adopted Saroo. It was very daunting and scary." The train traveled more than 1,600 kilometers (994 miles), ending up in Calcutta (renamed Kolkata in 2001 to mirror its Bengali spelling) where he disembarked. "I just cried and cried and called out to my brother, but he was never there. When he woke he didn't recognize anything outside the train window and he was completely alone. "I was really hoping that he was on the train, but he wasn't." Saroo did not know where the train was going. "He was nowhere to be seen," Saroo told 60 Minutes. He panicked and jumped on the nearest train, figuring Guddu must be on board. ![]() When Saroo woke up at the station he did not see his brother. After getting off at the station there, Saroo felt tired so his brother told him to rest on a bench, promising to return soon, but it was the last time he would see his brother. They got on a train to Burhanpur, which was about two hours away. One evening when Saroo was 5 years old, he and his brother Guddu headed to the local railway station to search for loose change in the train compartments and on the floorboards. How did Saroo Brierley become separated from his family? "He went off and married another woman, and left myself and my family to ourselves and my mother to raise us all up." -Real Big Things Saroo says that he had only seen his father about two times in his whole life. In fact-checking the Lion movie, we learned that his father, Munshi, had abandoned the family when Saroo was three. Although not a controversial film the entirety of one’s feelings towards it will largely depend on the ability to stomach the emotional turn it takes in the third act.No. The soundtrack is fittingly divided into a melancholic piano score from Matthew Thomason and sombre songs provided by singer-songwriter Luke Toms, the latter particularly nagging at a sense of nostalgia for a relationship buried by time. When on the road, scenes consist of footage filmed from a dashboard-mounted camera, an increasingly popular technique, think Under the Skin or Taxi Tehran, as well as b-roll of cars passing in mirrors with seemingly endless white lines whipping by. ![]() There are detours to David’s foster mother’s house and to Wookey Hole, a series of caves that are a well-renowned tourist attraction, not to mention several delays due to car trouble. This leaves the third act with a rather heavy burden to bear, and this reviewer feels as though the viewer’s reaction to the film’s emotional climax could go either way.Īs the title suggests this is quite the protracted road trip. Whilst it adds to the intrigue as to why she feels the need to distance herself from her father, it subsequently makes the first hour a tasking watch. ![]() Her behaviour appears to exceed even the expected snark of the stereotypical teen. Even when the conversation appears to move in a more personal direction little headway is made due to Lea’s dismissive attitude. For the first hour of this ninety-minute feature, a great deal of the dialogue is consumed by David offering up facts and anecdotes about the bands he loves, from Eels to Yo La Tengo, and the subsequent blunt rebuffing of his knowledge by a captive but thoroughly disinterested teen. Like all Dads that think they are cool, David is relentlessly trying to convince his daughter, Lea, that his music taste is the best. Following a tragedy, a father (Tristan Sturrock) picks up his estranged daughter (Chloe Endean) from her university accommodation in Manchester and the pair embark on a road trip back to their former family home in Cornwall.
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